Question

Discuss the most significant landmarks of the Baroque Era. Were these landmarks products of religious (church) or secular (state) patronage?

Answer 1

The most significant landmarks of the Baroque Era were primarily products of religious (church) patronage, particularly the Catholic Church, although some landmarks were also sponsored by secular (state) patrons. Examples of significant landmarks include St. Peter's Square in Rome and the church of Santa Susanna.

Step-by-step explanation:

The most significant landmarks of the Baroque Era were primarily products of religious (church) patronage, particularly the Catholic Church. During the Baroque period, the Catholic Church sponsored the construction of elaborate and grandiose buildings as a visible expression of its wealth and power. Some notable examples of these landmarks include St. Peter's Square in Rome, designed by Gian Lorenzo Bernini, and the church of Santa Susanna, designed by Carlo Maderno.

In addition to religious patronage, there were also instances of secular (state) patronage of Baroque landmarks. For example, rulers such as Louis XIV of France and Philip IV of Spain commissioned grand palaces and gardens that showcased their own wealth and authority. However, it is important to note that the majority of the significant landmarks of the Baroque Era were associated with religious patronage.

Answer 2

The Baroque Period was an era started in 1600 to 1750, where art, music and architectures dramatized with emotion and stylistically complex

Step-by-step explanation:

After the Renaissance, Baroque architecture came in Italy which later spread into Europe during the early 17th century. Baroque architecture is known for its unique style of providing highly decorative and dramatic.

San Carlo Alle Quattro Fontane is a prominent Roman Catholic Church designed in Baroque style by Francesco Borromini for Spanish monks as a convent in Rome, built between 1638 and 1646.

The Palace of Versailles built in Baroque architecture style in France, which was commissioned by Louis XIV in the 1660s.

Both of the architectures mentions in the answer were products of religious (church) or secular (state) patronage.

San Carlo Alle Quattro Fontane was part of religious which showcase rich and spiritual.

Baroque palaces were constructed on a monumental scale to represent the centralized state with the absolute power of monarchies, for example, The Palace of Versailles.