Question

GUYS PLEASE HELP

Type a short paragraph explaining how the Romantic theory of poetry reflects the early nineteenth
century's emphasis on individualism.

Answer 1

The Romantic theory of poetry emphasizes individualism by focusing on personal emotions, the beauty of nature, and the individual's spiritual connection to it. Romantic poets like Keats and Wordsworth used poetry to express unique feelings and inner explorations, marking a shift from the collective rationalism of the Enlightenment.

Step-by-step explanation:

The Romantic theory of poetry reflects the early nineteenth century's emphasis on individualism by highlighting personal emotion, the beauty of nature, and the intrinsic value of individual experience. The Romantic poets viewed nature as a source of spiritual and emotional nourishment, celebrating its unspoiled beauty in their works. These poets, such as John Keats and William Wordsworth, often showcased their own unique feelings, inner struggles, and desires, thus making poetry a genuine voice for the romantic spirit. This sensibility was a departure from the Enlightenment's focus on rationalism and collective norms to a greater regard for personal feelings and experiences.

Answer 2

A little late but here.

Literary, artistic, and philosophical movement that began in Europe in the 18th century and lasted roughly until the mid-19th century. Its intense focus on individual consciousness was both a continuation of and a reaction against the Enlightenment. Romanticism emphasized the individual, the subjective, the irrational, the imaginative, the personal, the spontaneous, the emotional, the visionary, and the transcendental. Among its attitudes were a deepened appreciation of the beauties of nature; a general exaltation of emotion over reason and of the senses over intellect; a turning in upon the self and a heightened examination of human personality; a preoccupation with the genius, the hero, and the exceptional figure; a new view of the artist as a supremely individual creator; an emphasis on imagination as a gateway to transcendent experience and spiritual truth; a consuming interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote, the mysterious, the weird, the occult, the monstrous, the diseased, and even the satanic. See also classicism and Transcendentalism.