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Choose one of the following pairs of poems and songs:

“The Lady of Shalott” by Alfred Tennyson; song “The Lady of Shalott” by Loreena McKennitt
“Because I Could Not Stop for Death” by Emily Dickinson; song “Because I Could not Stop” by Natalie Merchant
“Promises Like Pie-Crust” by Christina Rossetti; song “Promises Like Pie-Crust” by Carla Bruni
“The Two Trees” by William Butler Yeats; song “The Two Trees” by Loreena McKennitt
Plan to read the text version of the poem and listen to the song version a few times to get a good feel for the rhythm of each of the two versions. Then, think about how it contributes to the feeling and meaning of the poem in both situations.

Write a short essay (200–400 words) comparing the two versions of the poem, considering the following questions:

How does the meter of the poem change, if at all, when it is presented in song form?
Does the original poem have a meter that lends itself well to song lyrics?
How, if at all, is the poem changed or presented differently as a song?
Why might the artist have made changes to the poem?
Does the poem take on a different meaning in song form than in poetic form?
Structure your essay into an introduction, body, and conclusion. Make sure your essay focuses on a main idea, includes precise language to clarify ideas, and is written in a formal style. Use textual evidence, including scansion, to support your ideas.

User XDS
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1 Answer

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Alfred Tennyson's "The Lady of Shalott" is a poignant narrative poem that explores themes of isolation, destiny, and the consequences of breaking societal norms.

The meter of Tennyson's poem is primarily iambic tetrameter, contributing to a steady and rhythmic flow.

Tennyson's original poem, with its iambic tetrameter, already possesses a rhythmic quality that aligns well with song lyrics. The structured meter provides a solid foundation for musical adaptation, allowing for a seamless transition from poetry to song. McKennitt capitalizes on this, using the poem's inherent meter as a scaffold upon which she builds a musical landscape.

The poem undergoes nuanced changes in the transition to song. McKennitt adds a musical introduction, interludes, and instrumental breaks, all of which enhance the emotional atmosphere. These alterations contribute to a more immersive experience, drawing the listener deeper into the Lady's world. The addition of McKennitt's vocals also introduces an emotional layer that resonates with the poem's themes, amplifying the sense of tragedy and destiny.

User Mark Lowe
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