Final answer:
Simon likens the sound of Middle English to a blend of intricate environmental and human-made noises, comparable to the complex sounds of Medieval music.
Step-by-step explanation:
Simon compares the sound of Middle English to various environmental and human-made noises, suggesting that it is a complex blend of sounds.
While there is no direct comparison to Middle English in the given texts, we can infer that the Middle English sound might be compared to a blend of the cacophonous,
layered sounds described in these passages, conveying an auditory texture that is intricate and unique.
This could evoke a sense of archaic or historical timbre that one might find similar to the richness and variety found in Medieval music, which is an artistic form noted for its own distinctive characteristics.
Moreover, in contemplating the sound patterns and rhyme schemes of poetry, one can draw parallels to the musicality of Middle English.
Just as poetry uses rhythm, simile, and sounds to create patterns and convey meaning, the phonetics of Middle English also generate a specific auditory experience.
The timbre of spoken Middle English might very well have its own identifying set of frequencies and intensities, akin to the unique sound an individual musical instrument produces.