Question

What are the rules of governing the organization of shots called collectively

Answer 1

The rules governing the organization of shots, like the rule of thirds, steady camera, and visual flow, are essential in photography for creating a visually engaging final product. These rules are crucial for composing, presenting, and telling a story through images.

Step-by-step explanation:

Understanding Composition in Photography

The rules governing the organization of shots in the context of photography or filmmaking are essential for creating a visually appealing final product. A critical rule for novices to learn is the rule of thirds, which advises against placing the subject in the center. Instead, the image should be mentally divided into nine equal segments by two equally-spaced horizontal lines and two equally-spaced vertical lines. The subject should be placed along these lines or their intersections. Additionally, when composing shots, one must consider the visual flow of the sequence through the use of transitions, blocking, and the succession of stage pictures, which are part of the director's or photographer's composition. Other composition techniques include ensuring a steady camera, a level horizon, filling the frame, and avoiding distracting backgrounds.

In the practice of photography, photographers must also understand how to present their images. This could involve editing and organizing photos in a specific sequence to tell a story or highlight particular aspects of an event or subject matter. Ultimately, composition rules are designed to guide visual storytelling and enhance the clarity and impact of the photos.

Answer 2

Rythmic editing is when the relations between shots function to control film pace. Characteristics: a shot's physical length corresponds to a measurable duration of rythmic function occurs when several shot lengths form a discernable pattern. Equal length will create a steady metrical beat.

It is a sequences where shots are the same length have no rhythm. In a sequence, rhythm requires that the length of shots should vary. But rhythm is also perceived intuitively. Viewers know when a film lacks rhythm because they can sense the abrupt transitions or when the audio pops, even when the composition lacks balance or even when the image was shot without proper white balance. Since editing should appear seamless (going largely unnoticed by the audience) such bad edits or bad shots will draw unnecessary attention to the production efforts. Viewers should be immersed in the story, caught up in the characters, not be reminded at every turn of the camera's presence or the lack of polish in the editing. Intuition may be the only way to judge rhythm, but some practical considerations need to be made such as choosing the best shots and the smoothing out the edits.

This is the required solution.