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How did American culture develop?

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"America’s intellectual attainments during the 17th and 18th centuries, while not inferior to those of the countries of Europe, were nevertheless of a decidedly different character. It was the techniques of applied science that most excited the minds of Americans, who, faced with the problem of subduing an often wild and unruly land, saw in science the best way to explain, and eventually to harness, those forces around them. Ultimately this scientific mode of thought might be applied to the problems of civil society as well, but for the most part the emphasis in colonial America remained on science and technology, not politics or metaphysics. Typical of America’s peculiar scientific genius was John Bartram of Pennsylvania, who collected and classified important botanical data from the New World. The American Philosophical Society, founded in 1744, is justly remembered as the focus of intellectual life in America. Men such as David Rittenhouse, an astronomer who built the first planetarium in America; Cadwallader Colden, the lieutenant governor of New York, whose accomplishments as a botanist and as an anthropologist probably outmatched his achievements as a politician; and Benjamin Rush, a pioneer in numerous areas of social reform as well as one of colonial America’s foremost physicians, were among the many active members of the society. At the centre of the society was one of its founders, Benjamin Franklin, who (in his experiments concerning the flow of electricity) proved to be one of the few American scientists to achieve a major theoretical breakthrough but who was more adept at the kinds of applied research that resulted in the manufacture of more efficient stoves and the development of the lightning rod.American cultural achievements in nonscientific fields were less impressive. American literature, at least in the traditional European forms, was nearly nonexistent. The most important American contribution to literature was neither in fiction nor in metaphysics but rather in such histories as Robert Beverley’s History and Present State of Virginia (1705) or William Byrd’s History of the Dividing Line (1728–29, but not published until 1841). The most important cultural medium in America was not the book but the newspaper. The high cost of printing tended to eliminate all but the most vital news, and local gossip or extended speculative efforts were thus sacrificed so that more important material such as classified advertisements and reports of crop prices could be included. Next to newspapers, almanacs were the most popular literary form in America, Franklin’s Poor Richard’s being only the most famous among scores of similar projects. Not until 1741 and the first installment of Franklin’s General Magazine did literary magazines begin to make their first appearance in America. Most of the 18th-century magazines, however, failed to attract subscribers, and nearly all of them collapsed after only a few years of operation.The visual and performing arts, though flourishing somewhat more than literature, were nevertheless slow to achieve real distinction in America. America did produce one good historical painter in Benjamin West and two excellent portrait painters in John Copley and Gilbert Stuart, but it is not without significance that all three men passed much of their lives in London, where they received more attention and higher fees.The Southern colonies, particularly Charleston, seemed to be more interested in providing good theatre for their residents than did other regions, but in no colony did the theatre approach the excellence of that of Europe. In New England, Puritan influence was an obstacle to the performance of plays, and even in cosmopolitan Philadelphia the Quakers for a long time discouraged the development of the dramatic arts.

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