Question

PLZ HELP 100 points!!!! 1. Imagine you are a screenplay writer. Discuss some possible activities or techniques you

could use to improve your character creation and development
2 Do you think it's possible for an entire film to be shot using only one camera angle?
Explain why or why not and how this might impact the film
3. The unit says that in film you must show, not tell. Is this always true? When might it be
better to tell rather than show? Explain
4. You learned that lighting can play an important role in films and animation but is the
same true of your everyday life? How does lighting impact your daily life, and how do you
use it to improve change your surroundings?
5. After becoming more familiar with the various roles that people play when making an
animated film - such as writer artist director assistant director lighting sound etc. –
which do you think that you would enjoy most and why? Which do you think would be the
most difficult and why? Explain your answers.

Answer 1

One angle

Step-by-step explanation:

I have seen several scripts with various directions such as "Close on" "from another angle", etc. And other scripts without such notations. I have seen conflicting comments concerning this practice---Some producers I have contacted say they want this IN the "finished script" they get and others, feel, like I do, that camera angles and lighting and such are up to the director in the production phase. I have also read that Spec Scripts do not have such notations. So what should I include or not, in this respect, in a Spec Script.