Answer:And while City Lights is considered the last of Chaplin’s silent films (it had sound, but no speech), the film marks the first time the director used his camera as a soapbox. As the Tramp pinballs between the worlds of the rich and the poor, Chaplin is highlighting the issues of the class divide. City Lights kick-started Chaplin’s move both to more political films, and to a more political life. In 1936, Modern Times voiced his anxieties about industry and society.
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