Final answer:
In Wordsworth's 'The Prelude', lines 70-74 reflect the Romantic Movement's focus on nature and emotion over rational thought, with Wordsworth's capitalization of 'Nature' and 'Sea' highlighting nature's monumental status.
Step-by-step explanation:
In the context of William Wordsworth's The Prelude, lines 70-74 relate to the Romantic Movement through the following of "Nature's way by outward accidents". This captures the Romantic ideal that emphasizes a deep communion with nature and a preference for learning and wisdom gained through personal experience and emotion, rather than through the more structured, rational products of reason such as "precepts, judgments, maxims, and creeds". The Romantics often imbued nature with spiritual significance and saw it as a means to achieve personal growth and understanding. Wordsworth's capitalization of "Nature" and "Sea" in the poem can be seen as assigning a divine or monumental status to these entities, further underscoring their importance within the Romantic ethos. Similar to the German Romantic artist Caspar David Friedrich's depiction of humanity's insignificant presence before the awe-inspiring power of nature in the painting Wanderer above the Sea of Fog, Wordsworth's poem reverberates with the idea of nature as a profound, almost otherworldly force that shapes human character and consciousness.