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Jan van Eyck’s Arnolfini Double Portrait (1434) is a touchstone for the study of iconography which is __________. How does the way we interpret this painting set the stage for how we interpret artwork
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Jan van Eyck’s Arnolfini Double Portrait (1434) is a touchstone for the study of iconography which is __________. How does the way we interpret this painting set the stage for how we interpret artwork in future movements/time periods?

User Amir Jalali
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2 Answers

6 votes
Popular I think I could be wrong tho
User Jakob Cosoroaba
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5 votes

Answer:

I think it would be Popular

Step-by-step explanation:

look, i am so sorry if this is hella wrong pls dont report!!

User Pmko
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