Answered. Yes.
Answer: She shows that listening is not just about hearing. Glennie is deaf, but she is still able to listen to and perform music. She does this by using her other senses, such as touch, proprioception, and vision. She can feel the vibrations of the music through the floor and the air, and she can sense the movement of the musicians around her.
She shows that listening is an active process. Glennie does not passively receive sound; she actively engages with it. She listens to the music with her whole body, and she uses her senses to create a complete picture of the soundscape.
She challenges the idea that listening is something that we do only with our ears. Glennie shows that we can listen to music with all of our senses. She encourages us to be more aware of the different ways that we can experience sound.
Glennie's work has had a significant impact on our understanding of listening. She has shown that listening is not just about hearing, but is also about feeling, experiencing, and understanding sound. She has also challenged the idea that listening is a passive activity. She has shown that listening is an active process that involves all of our senses.
Glennie's approach to listening is unique and innovative. She has shown that it is possible to experience music in a profound way even without the ability to hear. Her work has challenged our understanding of listening and has inspired others to think about sound in new ways.
Here are some specific examples of how Glennie challenges conventional notions of listening:
She uses her sense of touch to feel the vibrations of the music through the floor and the air. This allows her to perceive the rhythm and dynamics of the music in a way that is not possible for people who rely solely on their hearing.
She uses her proprioception to sense the position of her body in space and the movement of the musicians around her. This allows her to track the movement of the music and to feel the energy of the performance.
She uses her visual cues to see the conductor and the other musicians and to track the movement of the music. This helps her to synchronize with the other musicians and to create a cohesive performance.
Glennie's approach to listening is not without its critics. Some people argue that she is not really listening to the music, because she is not hearing it in the same way that hearing people do. However, Glennie argues that she is listening to the music in her own way, and that her way of listening is just as valid as anyone else's.
Glennie's work has shown that there is no one right way to listen to music. She has challenged us to think about listening in new ways and to appreciate the different ways that people can experience music.