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Most films produced in Hollywood in the 1970s were shot in anamorphic widescreen using either the CinemaScope or Panavision systems.

User Lukie
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While it's true that anamorphic widescreen formats like CinemaScope and Panavision were popular in Hollywood during the 1970s, it's important to note that not all films produced during that decade used these systems. Many films did indeed utilize anamorphic lenses to achieve a widescreen aspect ratio, but there were also films shot in other formats.

CinemaScope and Panavision are both anamorphic lens systems that allow filmmakers to capture a wider field of view on 35mm film. This widescreen format was especially appealing to filmmakers and studios during the 1950s and 1960s, but it continued to be used into the 1970s and beyond. The anamorphic format allowed for a more immersive and visually striking cinematic experience.

However, it's worth noting that there were alternative widescreen formats and shooting techniques in use during the 1970s as well. For example:

1. **Super 35**: Some filmmakers chose to shoot in the Super 35 format, which used spherical lenses and allowed for flexibility in framing and aspect ratio during post-production. This format offered more control over the final look of the film.

2. **Techniscope**: This was a 2-perf 35mm format that allowed for widescreen presentation while using less film stock. It was less expensive than traditional anamorphic formats.

3. **70mm**: While not as common as 35mm, some films in the 1970s were shot in 70mm, which offered even greater image quality and resolution. This format was often used for epic productions and special releases.

4. **Standard 35mm**: Not all films in the 1970s opted for widescreen formats. Some filmmakers chose to shoot in the standard 35mm aspect ratio (1.33:1 or 1.85:1), depending on the artistic and storytelling goals of their projects.

In summary, while anamorphic widescreen formats like CinemaScope and Panavision were popular in Hollywood during the 1970s and contributed to the visual style of many films from that era, they were not the exclusive options. Filmmakers had various choices when it came to shooting formats, allowing them to tailor the visual presentation to suit the specific needs of their projects.

Step-by-step explanation:

User Benoitr
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