Answer: There does not appear to be any direct economic relationship between the people depicted in William Clark's 1823 painting "Cutting the Sugar Cane, Antigua" and the Heroin House in Leeds. These are two separate and unrelated historical phenomena that occurred in different places and times.
"Cutting the Sugar Cane, Antigua" is a painting that depicts enslaved people in Antigua cutting and processing sugar cane, which was a major cash crop that was produced on plantations throughout the Caribbean and the Americas. The painting is a representation of the brutal and exploitative system of slavery that existed in the Caribbean during the colonial era, which was driven by the economic demands of European empires and the growing global market for sugar.
The Heroin House in Leeds, on the other hand, was a building in the UK that was used in the 1980s as a center for the distribution of heroin. The Heroin House was part of a larger phenomenon of drug addiction and drug-related crime that was associated with the economic decline of many urban areas in the UK and other Western countries during the 1970s and 1980s.
While it is possible to draw connections between these two phenomena in terms of the broader historical and economic forces that shaped them, there is no direct link between the people depicted in "Cutting the Sugar Cane, Antigua" and the Heroin House in Leeds.