Answer: Within the story "The Treasure of Lemon Brown," Greg Ridley could be a youthful boy who at first shows up to be unengaged in his father's counsel to remain absent from the surrendered apartment building where the destitute man, Lemon Brown, lives. In any case, as the story advances, we see Greg's behavior and state of mind alter essentially.
At the starting of the story, Greg is depicted as a normal youngster, more inquisitive about hanging out with his companions and dodging his father's addresses than in tuning in to the encounters of an ancient man like Lemon Brown. He enters the apartment building reluctantly, accepting it to be a squander of time. However, as he spends more time with Lemon Brown, he starts to open up and appear intrigued within the man's story.
Greg's alter in behavior is generally due to Lemon Brown's narrating capacity. Lemon Brown tells Greg around his past as a blues performer and the different struggles he has confronted all through his life. Through Lemon Brown's stories, Greg picks up a unused point of view on life and realizes that there's more to individuals than meets the eye.
As the story advances, Greg's demeanor towards Lemon Brown changes from one of lack of interest to one of compassion and regard. When Lemon Brown is undermined by a bunch of youthful hooligans, Greg stands up for him and makes a difference protect him. This act of bravery appears that Greg has learned to esteem the encounters and intelligence of others, indeed in case they are diverse from his possess.
In conclusion, the changes in Greg Ridley's behavior over the course of the story illustrate his growth and development. He goes from being a self-centered young person to somebody who is willing to tune in and empathize with others. This change could be a result of his intuitive with Lemon Brown, who serves as a tutor and part demonstrate for Greg. The story serves as a update that we ought to never judge individuals based on their appearance or social status, which everybody incorporates a story to tell.
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