Question

The stage directions in lines 27 through 32 create —

dramatic tension by forcing the characters to argue in an increasingly stressful environment

a comedic effect by having the characters shout their lines over the noises from the street

situational irony by emphasizing the unpleasant conditions in which the characters live

suspense by increasing the audience's awareness of the danger the characters face
27 JEAN: And I suppose you like this insane racket going on all night! [She throws open the window—the street noises start.]



28 TERRY: [Yelling above the noise.] Yes, I do!



29 JEAN: And that Cadillac car sign going on and off like a . . . [She turns off the light. Again we see the flash of the electric sign, off, on, off, on, full up and flashing faster.] I suppose you've got to have that to be an actress!



30 TERRY: Yes! Yes! Yes! Yes! Yes!



31 JEAN: [Not stopping for her.] Well, not for me. I'm going out where there's sunshine and money and fun and—



32 TERRY: [Shouting above her.] And little ermine swimming pools up to here! [Curtain cue. The street noise, the flashing light, and their angry shouts are still going on as the curtain descends.]

Answer 1

The stage directions in lines 27 through 32 create dramatic tension by forcing the characters to argue in an increasingly stressful environment. The noise from the street and the flashing of the Cadillac car sign create a distracting and stressful atmosphere that intensifies the argument between Jean and Terry. The use of yelling and shouting also adds to the dramatic tension, as the audience can feel the increasing frustration and anger between the characters. The fact that the noise and shouting continue even after the curtain descends also leaves the audience with a sense of unease and unresolved tension.