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in the 1960s, two currents emerged in folk music: artists who wanted social change and artists who were mostly interested in commercial success

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During the 1960s in the United States, folk music experienced a resurgence in popularity, largely due to the emergence of two different currents within the genre. One current was characterized by artists who used their music to advocate for social change and promote political activism. This group included musicians such as Bob Dylan, Joan Baez, and Phil Ochs, who wrote songs that tackled issues such as civil rights, the Vietnam War, and environmentalism.

The other current was characterized by artists who were more interested in commercial success and mainstream appeal. This group included musicians such as Peter, Paul and Mary, The Kingston Trio, and The Mamas and the Papas, who had popular hits on the radio and television, often with songs that had a more commercial or pop-oriented sound.

It is worth noting that these currents were not mutually exclusive, and many artists blurred the lines between the two. However, the distinction between socially conscious folk music and commercially oriented folk-pop was a significant feature of the folk music scene in the 1960s.

User Jeehut
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