Question

The representation of Nahor seen in the scene of Rebecca and Eliezer at the well from the Vienna Genesis uses which of the following conventions.

a) Byzantine iconography
b) Classical idealism
c) Late Antique naturalism
d) Early Christian abstraction

Answer 1

The depiction of Nahor in 'Rebecca and Eliezer at the Well' from the Vienna Genesis primarily uses Early Christian abstraction, integrating classical elements into a symbolic and continuous narrative.

Step-by-step explanation:

The depiction of Nahor in the scene of Rebecca and Eliezer at the well from the Vienna Genesis primarily uses Early Christian abstraction. This style is identified in the manuscript through its emphasis on symbolism rather than precise or detailed spatial representation. The Vienna Genesis, a luxurious codex from the Early Byzantine period, showcases what manuscripts made for a wealthy patron, likely a member of the imperial family, might have looked like with its rich illustrations and Christian content. The narrative of Rebecca and Eliezer employs a continuous narrative, showing two consecutive scenes simultaneously, a technique with origins in the ancient world. Classical elements are also present in the style of figures and landscape, yet these are harmoniously integrated with an early Christian symbolic approach rather than a strict adherence to Late Antique naturalism or Classical idealism.