The Myth (Passage 1):
Day after day the ivory maiden looked down at him silently, and he looked back at her until he felt that he loved her more than anything else in the world. He thought of her no longer as a statue, but as the dear companion of his life; and the whim grew upon him like an enchantment. He named her Galatea, and arrayed her like a princess; he hung jewels about her neck, and made all his home beautiful and fit for such a presence.
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The Play (Passage 2): HIGGINS [assailing her at the other ear] Yes, by George: it’s the most absorbing experiment I ever tackled. She regularly fills our lives up; doesn't she, Pick?
PICKERING: We’re always talking Eliza.
HIGGINS: Teaching Eliza.
PICKERING: Dressing Eliza.
MRS. HIGGINS: What!
HIGGINS: Inventing new Elizas.
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Read the texts. Which statement best explains how the adaptation maintains the theme of creative obsession?
A; Eliza and Higgins are obsessed with their relationship.
B: Higgins and Pickering are obsessed with transforming Eliza.
C: Higgins and Pickering are obsessed with their desire to trick society.
D: Eliza and Higgins are obsessed with their ability to annoy Pickering.