Final answer:
Votive statues of Gudea are emblematic of Early Dynastic traditions in Mesopotamia, reflecting humility and a representation of communal devotion as opposed to individualized divine depictions. The statue of Gudea embodies these traits through its humble posture and stylistic continuity from older traditions.
Step-by-step explanation:
The votive statues of Gudea reflect Early Dynastic traditions in Mesopotamian art, particularly within their representation of humility and devotion. Unlike the more widespread depictions of divine rulers in ancient Egypt, Early Dynastic Mesopotamian art, as seen in the statues unearthed at Tell Asmar, presented figures that symbolized worshippers rather than providing direct portraits. The statue of Gudea, carved out of diorite and originating from around 2090 BCE, showcases a powerful but humble figure, with clasped hands and a silent demeanor indicating attentiveness and perhaps prayer.
The skirt of the statue, which extends and attaches to the forearms, suggests the continuation of stylistic choices from earlier periods of Mesopotamian craftsmanship. Additionally, votive offerings were common in Mesopotamia during this time, just as they were in later periods like the Neo-Babylonian Empire, suggesting a continuous religious practice of commemorating individuals through statuary. The material choice also reflects the regional adaptation of art, as the lack of natural stone in Babylonia led to the preciousness of materials like diorite used for the statues of Gudea, and as seen in the Tell Asmar Hoard, prompted the use of materials like gypsum alabaster.