Final answer:
Authors develop character and theme through the portrayal of characters' flaws, secrets, and internal struggles. These narrative elements make characters more realistic and enhance the connection to thematic messages, unlike the thesis statement, which is used in academic writing. Therefore, options a, b, and c (flaws, secret, and internal struggle) are correct ways an author could develop character and theme.
Step-by-step explanation:
Authors may develop character and theme in a variety of ways, which can enrich their storytelling and provide depth to their narratives. One common technique is the presentation of flaws in a character, which make them more relatable and human. By showing a character's imperfections, writers can create a realistic persona and build a connection with the reader, as well as reveal deeper thematic messages about the human experience. Another method is providing the character with a secret, which can create intrigue and drive the plot forward. The process of keeping or revealing a secret can significantly alter character dynamics and underscore themes of trust, deception, or morality.
An internal struggle is a powerful tool for character development, often highlighting a conflict between a character's desires, beliefs, or duties. This struggle might relate directly to the theme as it can represent a universal human experience or moral dilemma that resonates with readers. The internal conflict can further the plot and enhance the theme by forcing the character to confront and possibly overcome personal barriers, thus illustrating personal growth or the lack thereof.
Unlike the other options, a thesis statement is not a device typically used within the narrative to develop character or theme. Rather, it is a literary device used primarily in academic writing and analysis to introduce the main point or argument of an essay, including analyses of literary works.
To summarize, many elements can be used to develop characters and themes, but it is important to note that a thesis statement is generally not one of them in the context of writing fiction. Therefore, options a, b, and c (flaws, secret, and internal struggle) are correct ways an author could develop character and theme.