Final answer:
The era of Behram, notably represented in Rajput art, celebrated sensuality through the depiction of female forms in transparent attire, while Malthus's era grappled with the idea of sensuality and population control, advocating for moral restraint and eventually leading to the Malthusian League's advocation for birth control.
Step-by-step explanation:
The concept of sensuality, as it relates to the era of Behram, particularly in the context of Rajput art, emphasized the beauty and allure of the human form, especially female figures. The art of this period utilized transparent clothing on women, with sheer colorful fabrics and exposed midriffs to convey notions of love, poetry, and the valor of heroes and heroines. Gold, reds, saffron, and purples were employed to add vibrant energy and movement within these narrative paintings.
During the same historical timeline, but a different cultural context, Thomas Robert Malthus, an English economist and demographer, presented a contrasting view of sensuality in relation to population control. Malthus's theory projected a dire future unless birth rates were controlled to prevent famine, disease, and war. He advocated 'moral restraint' as a means to curb population growth, a view which later influenced the Malthusian League and the broader promotion of birth control. Despite his original stance, innovations in contraception during the 19th and early 20th centuries reflected a growing acceptance of actively managing fertility.
In the 1920s, a more open discussion about sexual satisfaction within relationships began to emerge, contrasting with more traditional views that placed a high value on modesty for women. The public acknowledgment that a satisfying sexual relationship could represent healthy intimacy indicated a shift towards modern attitudes regarding sex, although older notions about purity persisted.