Final answer:
Isaac Barrow's piece is criticized for its cover that misrepresents the portrayal of black individuals in Greek antiquity, lacking in-depth discussion on the topic. In contrast, James Richmond Barthé's sculptures explicitly celebrate black subjects, presenting a more direct and accurate representation of black figures.
Step-by-step explanation:
The subject at hand is Isaac Barrow's piece, which ostensibly relates to the interpretation of historical representation and its influence on contemporary discourse regarding Blackness. Isaac Barrow's work is said to have a cover that portrays an ancient representation of Herakles, while also inadvertently reflecting modern societal issues concerning violence and the Black male body. However, it's criticized that the contents of the book do not address the connection adequately, leading to potential misconceptions about the portrayal of black individuals in Greek antiquity. Moreover, mentioning James Richmond Barthé, a well-known sculptor of the Harlem Renaissance, gives context to the creation and representation of art focusing on black subjects during this period. Barthé's works, like his sculpture of the Cuban Featherweight Kid Chocolate and his bust of Booker T. Washington, contrast with Isaac Barrow's piece by explicitly celebrating black figures and their contributions.