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Which theory of pitch perception would best explain a symphony audience's enjoyment of a high-pitched piccolo? How about a low-pitched cello?

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Final answer:

The Place Theory of pitch perception helps explain how an audience can enjoy and distinguish different instruments like the high-pitched piccolo and low-pitched cello in a symphony, with the concept of timbre also playing a significant role in the unique sound of each instrument.

Step-by-step explanation:

The enjoyment of a high-pitched piccolo or a low-pitched cello in a symphony could be explained through the Place Theory of pitch perception. According to this theory, different areas of the cochlea in the ear are activated by different frequencies of sound waves, with higher pitches triggering areas closer to the base and lower pitches affecting areas near the apex.

For higher pitched instruments like the piccolo, the ear's basilar membrane vibrates closer to its base, whereas for lower pitched instruments like the cello, the vibration occurs closer to the apex. This explains why these two instruments can be enjoyed simultaneously and distinguished from one another by the audience. In addition to pitch perception, the timbre of the instruments adds to the richness of the experience, as this includes the unique characteristics of the sound each instrument produces, shaped by its frequency spectrum and wave form peculiarities.

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