Final answer:
Postmodern architecture and early postmodern graphic design both rejected modernism's austerity in favor of ornamentation and appropriation, blending historical styles within a contemporary context.
Step-by-step explanation:
The parallels between postmodern architecture and early postmodern graphic design mirror the cultural shift of the 1960s through the '80s. This shift was a move away from the functional austerity of modernism towards a more eclectic and ornamented aesthetic. Both disciplines embraced appropriation and hybrid styles, embedding historical reference within their contemporary works. For instance, postmodern architecture incorporated an ironic play with past forms and ornamentation, alongside modern materials and layouts. Famous buildings like the Beaubourg Center in Paris stand as an exemplar, sporting exposed structures that reflect deconstructionist ideas. Similarly, early postmodern graphic design adopted a bold juxtaposition of styles, methods, and typographies, often blending high art with popular culture. Postmodernism in the graphic realm is epitomized by figures like Barbara Kruger, who used a striking color palette and sharp language to blend graphic design with fine art. Graphic designers took to remixing traditional design motifs with modern commentary, creating a visual language that spoke with a sense of irony and cultural criticism. This mirrored the architectural trend of revitalizing older aesthetic forms with a modern twist. Across these fields, postmodern works were unafraid to borrow, repurpose, and dialogue with the past, all while critiquing the present.