Final answer:
Arnold Schoenberg's revolutionary work in atonal music and the creation of the twelve-tone scale was a precursor to the Konitz case, representing a significant challenge to traditional musical conventions.
Step-by-step explanation:
A notable precursor to the Konitz case can be found in the work and influence of Austrian composer Arnold Schoenberg. Schoenberg's rejection of traditional scales and creation of atonal music and his twelve-tone scale represented a radical shift in orchestral music, much like the challenges to the status quo seen in the Konitz case. This defiance of musical conventions that had persisted since the Renaissance paved the way for other progressive composers like Berlioz, Strauss, and Wagner to innovate and push the boundaries of what was considered acceptable music for their audiences.