Final answer:
False, The use of atmospheric perspective in art involves painting more distant objects with less clarity and a lighter tone, contrary to the use of sharp detail and intense colors which are reserved for foreground objects.
Step-by-step explanation:
When employing atmospheric perspective, the statement that one should use sharp detail, highly defined texture, and intense color and value in the background is false. Atmospheric perspective, a technique used in art, especially in landscape painting, relies on the optical effect that objects further away appear smaller, grayer, and less distinct.
Albert Bierstadt and Pietro Perugino are notable artists who effectively used atmospheric perspective in their work. Background elements in a painting become hazier and more bluish-gray as they recede into the distance, imitating the effect of the earth's atmosphere on distant objects.
The background in atmospheric perspective should appear farthest from the viewer, and thus objects should be painted to appear smallest, least intense in color, and least detailed. This contrasts with the objects in the foreground, which are depicted with bolder colors and sharper details, to stand out as closer to the viewer.