Final answer:
The perception of a stationary airplane and a moving Earth from a pilot's perspective is similar to pictorial realism in the arts, where perspective and perception play critical roles in representing three-dimensional space on a two-dimensional plane.
Step-by-step explanation:
When experiencing flight in a commercial jet, passengers may perceive the airplane as stationary and the Earth as moving beneath them. This sensation is akin to the way pictorial realism in art doesn't always coincide with physical reality. The inside-out display in an aircraft, where the horizon moves and the aircraft appears stable, adheres to the principle of pictorial realism, which is often seen in paintings where the landscape imparts motion or implies spatial dynamics.
In the context of pictorial space and the picture plane, traditional and modern artwork can manipulate viewer perception just as the brain does when interpreting visual cues from the environment. The dynamic nature of visual framing in art mirrors the way pilots interpret horizons, with both subject to the effects of atmospheric conditions and perceptual illusions.
Artworks, such as the miniature painting of the Third Court of the Topkapi Palace, apply different perspectives to represent a three-dimensional reality on a two-dimensional surface without adhering to the Western linear perspective. The representation of movement and space within such artworks aligns with how pilots view the world from their cockpit; a subjective interpretation rather than an objective measure of motion.