Final answer:
Jean-Michel Basquiat's Untitled (Maid from Olympia), 1982, is a postmodern deconstruction of Goya's Modernism image, mocking high art culture and the commercialization of art while subverting the value systems of capitalism.
Step-by-step explanation:
Jean-Michel Basquiat's artwork, Untitled (Maid from Olympia), 1982, can be seen as a postmodern deconstruction of Goya's Modernism image, which aimed to make fun of high art culture and the commercialization of art. In this piece, Basquiat uses a fake copyright symbol to challenge the notion of intellectual property and subvert the value systems of capitalism.