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Jean-Michel Basquiat, Untitled (Maid from Olympia), 1982 shows Basquiat as an art historian postmodern deconstruction of Goya's modernism image of an image fake copyright to make fun of high art culture and commercialization of art, parallel to Goya's equalizing of social and economic status. How can your identity come from capitalism when you are subverting the value systems of capitalism?

User Olessia
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Final answer:

Jean-Michel Basquiat's Untitled (Maid from Olympia), 1982, is a postmodern deconstruction of Goya's Modernism image, mocking high art culture and the commercialization of art while subverting the value systems of capitalism.

Step-by-step explanation:

Jean-Michel Basquiat's artwork, Untitled (Maid from Olympia), 1982, can be seen as a postmodern deconstruction of Goya's Modernism image, which aimed to make fun of high art culture and the commercialization of art. In this piece, Basquiat uses a fake copyright symbol to challenge the notion of intellectual property and subvert the value systems of capitalism.

User Bentobox
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