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The tension between I (spontaneous self) and Me (social constraints within the self) is mirrored in Goffman's work. Describe it:

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Final answer:

Goffman's work explores the tension between the spontaneous self (I) and social constraints within the self (Me), using the concept of impression management. It builds upon the ideas of Charles Cooley and the looking-glass self, where people construct their self-image based on how they believe others see them. Goffman's work highlights the influence of social interaction in shaping our self-identity.

Step-by-step explanation:

Goffman's work, particularly his theory of dramaturgy, explores the tension between the spontaneous self (I) and the social constraints within the self (Me). He compares individuals to actors on a stage, using the concept of impression management to present themselves to others as they hope to be perceived. Each situation is seen as a new scene where individuals perform different roles depending on the presence of others.

Furthermore, Goffman's ideas build upon the work of Charles Cooley and the looking-glass self, where people construct their self-image based on how they believe others see them. Cooley believed that our sense of self is developed through imagining how we appear to others and drawing conclusions from their reactions to us.

Overall, Goffman's work and the ideas of Cooley and Mead emphasize the influence of social interaction in shaping our self-identity and the way we present ourselves to others.

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Final answer:

Goffman's dramaturgical analysis addresses the tension between the 'I' (spontaneous self) and the 'Me' (social constraints) as individuals perform different roles depending on the social context, similar to an actor on a stage. This theory is related to Cooley's looking-glass self and Mead's ideas on self-development through interaction.

Step-by-step explanation:

The tension between the spontaneous aspect of the self, which Erving Goffman refers to as the 'I,' and the socially constrained aspect, or the 'Me,' is a central theme in Goffman's dramaturgical analysis of social interaction. Goffman's theory, called dramaturgy, suggests that individuals manage their self-presentation through impression management depending on the social context they are in. This practice of adjusting our behavior to fit the expectations of different audiences is like an actor performing on a stage, where each social situation is a new scene requiring a different role.

Building upon Charles Cooley's concept of the looking-glass self, Goffman and George Herbert Mead further explored how our sense of self develops through social interaction. Mead highlighted the importance of being able to view ourselves from the perspective of others for self-development, something that is acquired through socialization. This constant mental rehearsal and perception adjustment demonstrate the intricate dance between our internal desires for spontaneous behaviors ('I') and the recognition of external societal expectations ('Me').

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