Final answer:
Juvenalian satire is harsh and serious, double entendre has a double meaning, Horatian satire is playful and sympathetic, cuneiform is an ancient writing system, Menippean satire criticizes mental attitudes, and theatrical self-consciousness refers to self-aware performances.
Step-by-step explanation:
The question above is asking to match definitions with their respective terms, which relate to literary styles, genres, and devices. Here's a breakdown to match the terms with their correct definitions:
- Juvenalian satire is a type of satire that is more serious and harsh in tone, attacking vice and corruption with scorn and outrage. It is named after the Roman satirist Juvenal who was known for his bitter and ironic criticism, particularly in his commentary on the hypocrisy of social morals in Satire 2.
- A double entendre is a figure of speech or a particular way of wording that is devised to be understood in either of two ways, having a double meaning. It is often used for humorous or rhetorical effect.
- Horatian satire is a gentler, more playful form of satire, often presented with a sympathetic tone. Unlike Juvenalian satire, it tends to mock human folly in general rather than attacking specific vices with vitriol.
- Cuneiform is not related to satire but is an ancient writing system developed by the Sumerians of Mesopotamia, comprising wedge-shaped marks on clay tablets.
- Menippean satire criticizes mental attitudes rather than societal norms or specific individuals. This form of satire often employs a variety of prose and verse and different styles of language.
- Theatrical self-consciousness refers to a trait within certain forms of theater in which the actors or the play itself are self-aware of their fictional or performative nature. This can sometimes show up in satire, where the characters or narrators acknowledge the absurdity of their own situation.