Using Nietzsche's Theory of Personality, Hamlet's character wavers between Apollonian restraint and Dionysian impulse, reflecting Nietzsche's master morality through his confrontation with suffering.
When applying Nietzsche's Theory of Personality to the character of Hamlet, we observe a significant fluctuation between his Apollonian and Dionysian aspects.
Nietzsche's concept of the noble soul, directly linked to his admiration of ancient Greek culture, manifests through Hamlet's confrontation with pain and suffering, which should theoretically drive him to grow and acquire more—symbolic of Nietzsche's master morality.
In the context of Hamlet, his Apollonian side seeks order, reason, and the aesthetic distancing needed to contemplate the nature of his revenge, whereas his Dionysian side embraces instinct, chaos, and the emotional tumult embroiled within his quest for vengeance.
Eventually, Hamlet finds a degree of resolution, but whether he truly achieves the Nietzschean balance remains subject to interpretation.