Final answer:
Henri Fantin-Latour's painting, 'A Studio in the Batignolles Quarters' or 'Hommage to Manet,' created in 1870, is classified as Realist Style (B). This is aligned with Édouard Manet's own artistic transition from Realism to Impressionism, providing a basis for the emerging Impressionist movement.
Step-by-step explanation:
Hommage to Manet's Stylistic Classification
Édouard Manet is often cited as a pivotal figure in the transition from Realism to Impressionism. His style was characterized by loose brush strokes and the suppression of transitional tones, leaning on the realist style initiated by Gustave Courbet. However, Manet's later works, while still containing realist elements, began to sway towards Impressionism in their execution. The Realism period in art focused on capturing everyday scenes and people, with realistic painters often painting in their studios after sketching in the field. They used thick and broad brushstrokes to create texture, highlights, and shadows. Manet's work did provide a foundation for the Impressionistic style, with its radical approach to depicting modern life and its clear deviation from Academic style's conservative color use and suppression of brush strokes.
Hence, Henri Fantin-Latour's A Studio in the Batignolles Quarters, also known as Hommage to Manet, despite being painted in 1870 during the rise of Impressionism, is better identified under option B) Realist Style. This classification is consistent with the stylistic elements evident in Manet's work from the period addressed in the painting. The painting captures a group of artists in Manet's studio, which corresponds to the realist aim of depicting contemporary life.