Final answer:
The ending of Chapter 19 in Mary Shelley's Frankenstein parallels Chapter 4 through the use of mirror images and patterns that reflect earlier parts of the story, underscoring themes of ambition and consequence.
Step-by-step explanation:
The ending of Chapter 19 in Mary Shelley's Frankenstein parallels the ending of Chapter 4 through the concept of a mirror image, where patterns of imagery and events reflect back upon earlier moments in the story. In Chapter 4, Victor Frankenstein achieves his goal of animating the dead but is horrified at the result, which raises questions about his actions and intentions.
Similarly, in Chapter 19, we find patterns that echo earlier parts of the narrative, much like in Edgar Allan Poe's use of mirror imagery in 'The Fall of the House of Usher' where Madeline and Roderick share a fatalistic theme and their doom intensifies. Both stories use repetitive imagery and parallelism to highlight the characters' fates, emphasizing themes of ambition, consequence, and the human condition.