Final answer:
The appearance of "trouble" in a story refers to the introduction of conflict, initiating the Rising Action where the plot thickens and the main character faces challenges. Aristotle's tragedy structure considers complication and resolution (denouement) as core to the plot, driving it with surprises and a clear beginning, middle, and end.
Step-by-step explanation:
The term "trouble" in a plot is often associated with the introduction of a conflict or complication that disrupts the status quo. This conflict serves as the catalyst for what is known as the Rising Action in literary terms, where characters face challenges, embark on journeys, and encounter various obstacles. The conflict is the crux of a narrative, affecting the main character's ability to achieve their goals and creating tension.
In a classical approach, as expressed by Aristotle, every tragedy consists of two parts: Complication and Unravelling (or Denouement). The plot is driven by surprises, such as a Reversal of the Situation, Recognition, and a Scene of Suffering. A well-constructed plot features a harmonious structure consisting of a beginning, middle, and end, and the conflict implanted in this structure is pivotal to the plot's development toward a resolution.
Thus, examining these elements reveals that a story's plot broadly conforms to the principles of establishing an initial stable situation, introducing a complication or conflict, and then resolving it through a series of actions that constitute the narrative's Rising Action, Climax, and Falling Action.
Final answer:
The appearance of "trouble" in a story refers to the introduction of conflict, initiating the Rising Action where the plot thickens and the main character faces challenges. Aristotle's tragedy structure considers complication and resolution (denouement) as core to the plot, driving it with surprises and a clear beginning, middle, and end.
Step-by-step explanation:
The term "trouble" in a plot is often associated with the introduction of a conflict or complication that disrupts the status quo. This conflict serves as the catalyst for what is known as the Rising Action in literary terms, where characters face challenges, embark on journeys, and encounter various obstacles. The conflict is the crux of a narrative, affecting the main character's ability to achieve their goals and creating tension.
In a classical approach, as expressed by Aristotle, every tragedy consists of two parts: Complication and Unravelling (or Denouement). The plot is driven by surprises, such as a Reversal of the Situation, Recognition, and a Scene of Suffering. A well-constructed plot features a harmonious structure consisting of a beginning, middle, and end, and the conflict implanted in this structure is pivotal to the plot's development toward a resolution.
Thus, examining these elements reveals that a story's plot broadly conforms to the principles of establishing an initial stable situation, introducing a complication or conflict, and then resolving it through a series of actions that constitute the narrative's Rising Action, Climax, and Falling Action.