Question

Good papers attempt to cover all the primary elements of the play (Aristotle's six parts)

Answer 1

Aristotle's six essential elements of tragedy are plot, character, diction, thought, spectacle, and song. Tragedy aims to elicit pity and fear, while comedy seeks to entertain and bring joy. Hamartia is the tragic flaw, peripeteia is a sudden reversal of fortune, anagnorisis is a moment of recognition, and catharsis is the purging of emotions.

Step-by-step explanation:

The Six Essential Elements of Tragedy

1. Plot: The arrangement of events in the play that leads to its resolution.
2. Character: The development and portrayal of the characters that drive the action of the play.
3. Diction: The linguistic choices made by the playwright in terms of word choice, phrasing, and dialogue.
4. Thought: The thematic and intellectual content of the play.
5. Spectacle: The visual elements that enhance the theatrical experience, such as set design, costumes, and special effects.
6. Song: The use of music and poetry to evoke emotions and enhance the overall impact of the play.

The Difference Between Comedy and Tragedy According to Aristotle

Aristotle believed that tragedy and comedy differ in their purpose and effect on the audience. Tragedy aims to elicit pity and fear, providing a cathartic release for these emotions, while comedy intends to entertain and bring joy. Tragedy focuses on serious and profound themes, often ending in the downfall of the protagonist, while comedy emphasizes humor, wit, and happy endings.

Definitions of Hamartia, Peripeteia, Anagnorisis, and Catharsis

Hamartia: The tragic flaw or error in judgment of the protagonist that leads to their downfall.

Peripeteia: A sudden change or reversal of fortune for the protagonist, often brought about by their own actions or circumstances out of their control.

Anagnorisis: The moment of recognition or discovery in which the protagonist realizes the truth about their situation, themselves, or others.

Catharsis: The purging or cleansing of emotions, particularly pity and fear, experienced by the audience through their identification with the tragic events and characters in a play.