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Compare and contrast the Monument of the Nereids (late 4th c. BCE) with a typical Roman sarcophagus featuring the marine thiasos theme. For this, make us the excerpt from Euripides’ play Andromache (5th c. BCE, Athens) to contextualize the Monument of the Nereids. Does the aspirations undergirding this tomb-building help shed light on Roman sarcophagi such as the one featured above from the 3rd. c. CE? In particular, do they help nuance some scholars’ ‘post mortem nescio’ argument?

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Final answer:

The Monument of the Nereids and Roman sarcophagi exhibit a celebration of beauty and classical themes, including social status and gender roles. Etruscan influences and the preferences of Roman patrons, including Christians, reflect complex artistic tastes rather than a decline in classical art forms. The diversity in funerary art underscores a nuanced understanding of cultural beliefs interwoven with traditional aesthetics.

Step-by-step explanation:

The comparison between the Monument of the Nereids and typical Roman sarcophagi with the marine thiasos theme is intriguing, especially when considering the potential influence of classical Greek on Roman funerary art. The Monument of the Nereids, which can be connected to themes from Euripides' Andromache, suggests a celebration of beauty's triumph over death, an interpretation that can be extended to Roman sarcophagi that adopted similar reclining figures and celebratory themes. Both forms of mortuary art represent important cultural aspirations translated into visual art. In Roman sarcophagi, however, there is an evident shift towards representations that could evoke the social status and domestic environment of the deceased, even reflecting attitudes towards women's roles in society, as suggested by the prominence of matrons on Roman cinerary urns.

Etruscan funerary practices also influenced the Romans, as seen through the transition from Etruscan tombs designed like homes to the Romans preferring cremation and storing ashes in urns. The Roman upper classes, including early Christians, showed a preference for classicizing styles in their funerary monuments, highlighting a complex interaction of traditional, religious, and individual tastes in their artistic choices. Whereas the 'post mortem nescio' argument suggests a decline in classical art forms, the enduring appeal of these traditional styles in later Roman sarcophagi—like the Sarcophagus of Junius Bassus—contradicts this notion of decline and points to diversity in patron preferences and the significance of classicism throughout this period.

Moreover, artisanal tastes, as reflected in the variability of styles and themes, seem to have been influenced by personal and cultural beliefs rather than a straightforward creative deterioration. This can be observed in the sarcophagus depicting Endymion, which demonstrates detailed narrative elements and a preference for mythological themes that persisted over centuries. Even amidst the societal shift to Christianity, there was no wholesale abandonment of classical aesthetics in favor of strictly symbolic representation.

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