Final answer:
Craig Wright's view was critical of Charles Warren's analysis of Du Fay's motet, arguing that the work's structure reflects a broader application of sacred geometry rather than being modeled on the Florence Cathedral's measurements.
Step-by-step explanation:
The question pertains to Craig Wright's critique of Charles Warren's analysis of Guillaume Du Fay's motet Nuper rosarum flores. Craig Wright, a noted musicologist, challenges the prevailing interpretations of the motet's proportions and architectural symbolism, particularly those presented by Charles Warren. Warren suggested that the motet's structure was modeled after the measurements of the recently completed Florence Cathedral, but Wright argues that the motet's structure is more complex and should not be reduced to a single architectural analogy. Instead, Wright posits that the motet reflects a more general representation of sacred geometry and was influenced by a variety of proportional systems prevalent during the Renaissance.