Final answer:
The question about cross currents of style in wind band music from the Pre-Classic period lacks a direct answer since there is no prominent composer closely associated with wind band music in that era. Instead, the Pre-Classic era was a transitional period that would have shown a mix of Baroque and early Classical styles.
Step-by-step explanation:
The student is asking about the Pre-Classic period in wind band music and which composer's work illustrates the cross currents of style from that era. While the information provided discusses various aspects and composers in different musical periods, it omits specific examples of wind band music and composers from the Pre-Classic period.
However, by deduction and general knowledge of music history, this period typically implies the time just before the established Classical era, which began in the mid-18th century.
Names such as Haydn and Mozart are associated with this later Classical period, but it is worth noting that compositions from the Pre-Classic period (just before) would be more transitional, showing elements both of the Baroque and the emerging Classical style.
Looking at wind band music specifically, the Pre-Classic period would not be well-defined due to the growing development of this instrumentation in the later Classical and Romantic periods, as evident by the improvements in instrument construction.
Hence, suggesting that there is an absence of a prominent composer closely associated with wind band music during the Pre-Classic period that shows cross currents of style. It is likely that composers who wrote for wind bands in this time were also exploring early Classical styles while their work maintained some Baroque characteristics.
The complete question is: Cross currents of style during the "Pre-Classic" period are evident of in the wind band music of what composer? is: