Question

What is Nietzsche's perspective on modernity, particularly his critique of the contemporaneous culture and the idea of art being subsumed under the term culture in his work, possibly from Thus Spoke Zarathustra? According to Nietzsche, how did his contemporaries approach art, and what was his criticism of their mundane and passive attitude? How does Nietzsche argue for a more subjective experience of art, distinct from what his contemporaries labeled as culture?

Regarding Nietzsche's views on modernity, how does he characterize it as synonymous with mediocrity, degeneration, and decline? In what areas of life does Nietzsche see the contamination of modernity, including science, art, and the human body? How does Nietzsche elaborate on the idea that modernity is an era of life-destroying morality, where the weakest individuals are elevated to the status of great historical conquerors?

What are Nietzsche's opinions on feminism, democracy, universalism, workers' rights, and universal education in the context of modernity? How does he perceive these movements as a challenge to the ancient order and as an assault on the true progress of civilization? How does Nietzsche view the concept of progress in relation to the abolition of slavery, democratic movements, and equality?

Furthermore, how does Nietzsche argue for the necessity of slavery in cultural production, emphasizing its role in the enhancement of the human being? Can you provide more insight into Nietzsche's perspective on the democratic movement in Europe, progress, and Christianity as a moral prefiguration? Lastly, how does Nietzsche link the concept of slavery to the preservation and raising up of the weak, oppressed, and underprivileged, forming a rebellion against masters and a war against morality derived from a higher, stronger, masterful human being?

Answer 1

Nietzsche saw modernity as a decline into mediocrity due to Judeo-Christian morality, which subverts natural nobility and favors the weak.

Step-by-step explanation:

Friedrich Nietzsche's critique of modernity postulates that contemporary culture, including art, has been marginalized under the banner of 'culture', a term heavily influenced by Judeo-Christian morality.

This morality, according to him, suppresses the natural nobility of the strong in favor of the weak, inducing a state of mediocrity, degeneration, and decline across various spheres including science, art, and the human body.

Nietzsche perceives modern movements such as feminism, democracy, and universal education as challenges to the ancient order, undermining what he considers the true progress of civilization. He advocates a subjective experience of art and criticizes the mundane approach of his contemporaries.

Nietzsche associates the idea of progress with the propagation of a life-denying morality and suggests the necessity of slavery in cultural production as a means of enhancing human beings, differing markedly from moral valuations of equality and universal rights.