Final answer:
The provided information pertains to Phillis Wheatley, an 18th-century African-American poet, and does not offer details on a keening woman related to 'Eileen's lament' or oral traditions. Phillis Wheatley's manuscripts were admired and copied by others reflecting collective authorship practices of the era. The keening woman's identity is not provided in the context of Wheatley's poetry.
Step-by-step explanation:
The question appears to be inquiring about a historical figure related to oral traditions and the preservation of laments. However, the information provided pertains to Phillis Wheatley, an African-American poet from the 18th century.
Phillis Wheatley is known for her poetry and the way her manuscripts circulated among her readers before being published. She wrote elegies for notable individuals such as Joseph Sewall and Charles Eliot.
Manuscript poetry of Wheatley's work often underwent copying, revision, and editing by her admirers. This was common practice in the 17th and 18th centuries, reflecting the collective nature of authorship during that era.
The keening woman mentioned in the student's question could refer to a traditional Irish mourner, whose practices include the vocal lamentation for the dead, known as keening.
However, no specific individual who could be associated with preserving ‘Eileen's lament’ or Wheatley's work is provided in the excerpts. It is likely that the answer does not directly relate to the information provided about Phillis Wheatley.