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Look back at the answers you did not choose. Which ones do not fit the details in the scene?
Which one tells about a character instead of a plot event?
In the story of the diary of Anne frank

1 Answer

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Final answer:

Anne's moral struggles in 'The Diary of Anne Frank' represent 'choice-less' choices due to the extreme circumstances of hiding during the Nazi occupation. Characters often wear 'masks' or veil their identities to cope, adding complexity to human behavior. The narrative uses snapshots, character actions, and dialogue to move the plot, with structure being key to form and content.

Step-by-step explanation:

In the story of 'The Diary of Anne Frank,' we find various occasions where Anne faces moral struggles, particularly in her reflections and reactions to the circumstances of living in hiding during the Nazi occupation. One such instance could be her introspection on the nature of good and evil in people, questioning the inherent goodness in humanity while being surrounded by so much suffering and brutality. It can be argued that such moments represent "choice-less" choices, where Anne had little control over her situation, and the decisions she made were responses to extraordinary and unbelievable circumstances.

Regarding the characters not being what they seem, we can look at how each person in the Annex must sometimes wear "masks to cope with their situation or to get along with others in such confined quarters. The concept of veiling identities adds depth to the characters and shows the complexity of human behavior under stress.

Examples within the narrative that provide details about people, places, things, and events can be found throughout Anne's diary entries. They include descriptions of the Annex itself, the interactions among those in hiding, and the observations of the war's impact on their daily lives. These snapshots help to create a thematic thread throughout the story and reflect on Anne's perspective and personal experience.

In analyzing sentences for character actions, consider the example: 'The mayor's analysis of the issue did not convince journalists.' Here, the character is 'the mayor,' and the action is 'convince.' The sentence could be restructured as 'The mayor failed to convince journalists with his analysis of the issue.'

Lastly, regarding the use of dialogue and narrative structure, both elements are essential in moving the plot forward and reflecting characters' personalities and viewpoints. Clear transitions, structured sentences, and a cohesive conclusion all contribute to the effectiveness of a story's form and content.

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