The mat color Ruth chooses should enhance the colors, blend with the theme, provide appropriate contrast, or reflect her personal preference, ultimately supporting the nature images without overshadowing them.
When choosing a mat color for her recent series of nature images, Ruth should select a color that accomplishes multiple objectives. The color should enhance the colors in the images, tapping into the power of simultaneous contrast where neutrals or less dominant colors take on the hues of adjacent more vibrant colors, thus bringing out the best in the photograph. The chosen mat should also blend with the overall theme of the work, reflecting the moods and emotions that the colors within the image imply. For instance, soft muted colors can impart a sense of calmness whereas bright colors might add energy and dynamism to the artwork. Lastly, though less critical, the mat color can provide a stark contrast if the goal is to draw immediate attention to the image or it can match her personal preference if the display context permits. The mat serves as a visual transition between the image and its surroundings, therefore, great care should be taken to ensure it supports the image effectively without overshadowing it.
The choice of mat color is a deeply subjective decision but one that is also informed by the visual and psychological impact that colors have on perception. For instance, a low contrast may convey softness and tranquility like a mist over water. High contrast, on the other hand, may bring sharpness and grandiosity to an image. Considering Martin's work, which used soft, subtle colors to evoke a range of emotions, Ruth can understand how the mat color can either compliment or detract from such intentions in her artwork.