Final answer:
Georges Braque's 'The Portuguese' exemplifies Cubism by fracturing the objects into smaller elements, creating a multidimensional effect on a flat canvas. Braque, alongside Picasso, developed this style to convey multiple perspectives of an object simultaneously.
Step-by-step explanation:
In Georges Braque's 1911 oil on canvas titled 'The Portuguese', Braque transformed the objects of the guitar player and the dock by fracturing them into smaller elements. This technique is a hallmark of Cubism, a movement co-founded by Braque and Pablo Picasso. The goal of Cubism was to depict objects from multiple viewpoints on a single plane, thus conveying the total visual understanding of the object. In 'The Portuguese', Braque achieves this by breaking down the objects into fragmented geometric forms, giving them a multi-dimensional appearance on a two-dimensional surface. This fracturing effect creates the illusion of the objects existing simultaneously in both space and time.
Braque's evolution in style from Fauvism to Cubism encompassed experimenting with geometry, perspective, and reducing objects to their geometric essentials. In Cubist artworks like Braque's 'The Portuguese', numerous perspectives are captured to embed the subject within a broader context, challenging the traditional single-perspective approach of Renaissance painters.