Question

NEED HELP!! WRITE AN OBJECTIVE SUMMARY IN AT LEAST 200 WORDS. In my younger and more vulnerable years, my father gave me some advice that I've been turning over in my mind ever since.

"Whenever you feel like criticizing anyone," he told me,
"just remember that all the people in this world haven't had the advantages that you've had."
He didn't say any more, but we've always been unusually communicative in a reserved way, and I understood that he meant a great deal more than that. In consequence, I'm inclined to reserve all judgments, a habit that has opened up many curious natures to me and also made me the victim of not a few veteran bores. The abnormal mind is quick to detect and attach itself to this quality when it appears in a normal person, and so it came about that in college I was unjustly accused of being a politician because I was privy to the secret griefs of wild, unknown men. Most of the confidences were unsought-frequently I have feigned sleep, preoccupation, or a hostile levity when I realized by some unmistakable sign that an intimate
revelation was
quivering on the horizon; for the intimate revelations of young men, or at least the terms in which they express them, are usually plagiaristic and marred by obvious suppressions.
Reserving judgments is a matter of infinite hope. I am still a little afraid of missing something if I forget that, as my father snobbishly suggested, and I snobbishly repeat, a sense of the fundamental decencies is parcelled out unequally at birth.
And, after boasting this way of my tolerance, 1 come to the admission that it has a limit.
Conduct may be founded on the hard rock or the wet marshes, but after a certain point, I don't care what it's founded on. When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever;
I wanted no more riotous excursions with privileged glimpses into the human heart.
Only Gatsby, the man who gives his name to this book, was exempt from my reaction-Gatsby, who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him,
some
heightened
sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the
"creative temperament"-it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No-Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.

Answer 1

Fitzgerald reflects on his life during the 1920s, acknowledging his transformed regrets and the resolution of life's big problems, reflecting the broader reality of the decade's cultural and societal changes. His narrators express themes of ambition and societal pressure that critique the American Dream and reveal the era's outward lavishness and inward emptiness.

Step-by-step explanation:

F. Scott Fitzgerald's life in the 1920s is described through a blend of nostalgia and reflection. He contemplates his past desires and ambitions, recognizing the transformation of juvenile regrets into dreams that eased his restless nights. He acknowledges that although the big problems of life seemed to resolve themselves, this resolution often left him too tired to tackle broader, general problems. This reflection not only captures Fitzgerald's personal sentiments but also mirrors the broader reality of the 1920s -- a decade of dramatic social and cultural change, economic prosperity for some, and the eventual disillusionment that followed.

Through the voice of his narrators, Fitzgerald often explores themes of hope and ambition, as well as the societal pressures of the times. For instance, in his descriptions of characters like Gatsby who embody an inherent refinement and goodness or Dexter who aspires to a higher social standing, Fitzgerald paints a picture of the American Dream while subtly critiquing its attainability and the moral cost of its pursuit. This duality reflects the concerns and contradictions of the Jazz Age -- outward lavishness and inward emptiness -- and speaks to Fitzgerald's astute observations of the human experience.