Final answer:
David Byrne dislikes the term "World Music" because it is too broad, perpetuates stereotypes, and isn't inclusive. The term often marginalizes non-Western music by not recognizing its rich variety and individuality.
Step-by-step explanation:
David Byrne, the author of "Crossing Music's Borders", has particular reservations about the term "World Music". After examining the implications of the term, it becomes clear that Byrne dislikes it because it is too broad, which may inadvertently lead to the marginalization of diverse music traditions by lumping them into a catch-all category. Furthermore, Byrne believes that the term perpetuates stereotypes and is not inclusive, as it can create a division between Western music and music from the rest of the world, rather than recognizing the individuality and uniqueness of each musical tradition.
The term "World Music" is often used in the music industry to classify any music that doesn't fit into Western popular music genres. However, this classification fails to acknowledge the rich variety of music from different cultures, and can reduce intricate music practices to oversimplified representations, effectively reinforcing certain stereotypes. Additionally, labeling such a diverse range of music simply as "World Music" doesn’t do justice to the complexity and specificity of each type, and excludes them from being considered on the same level as Western music genres. Therefore, Byrne's critique highlights a broader conversation about cultural respect and recognition within the music world.