Final answer:
The Mughal painting 'Jahangir on Hourglass Throne' reflects a shift in how monarchs portrayed themselves, with Jahangir using art to promote his rule as divine and superior. The European influences, the portrayal as a 'holy man', and the renaming to 'World Turner' served as propaganda to shape Jahangir's public image, illustrating his cultural and religious supremacy during his reign.
Step-by-step explanation:
The Mughal painting "Jahangir on Hourglass Throne," dating to 1625 CE, represents a significant shift from historical depictions, signifying an era where art was used as a means of political propaganda and a reflection of self-image. Through supporting individual artists and focusing on personal subject matter, Jahangir propagated his rule as one that outshone his predecessors, establishing his cultural and religious supremacy. The portrayal of Jahangir as a "holy man" and renaming himself "World Turner" serves to vindicate past wrongdoings and acts as a propagandized piece, reinforcing the perception of Jahangir's reign and its divine endorsement.
Upon the death of Akbar, Jahangir ascended to the throne, eager to overshadow his father's legacy. Jahangir's studio was characterized by the European influence on its artworks, with the emperor being depicted in countless images as superior to other rulers. These images bolstered his personal image through visual narratives that intertwined political leadership with a divine connection. The assertion that he appeared in the dreams of devotees and could heal them further elevated his status to that of a holy man in public perception.
Furthermore, Jahangir's paintings, such as those featuring him on the Hourglass Throne, had a dual purpose. They celebrated his reign's stability and wealth through the luxurious and ornate depiction of the emperor and his court. At the same time, these visual representations worked to legitimize his rule and reinforce public perception of his divine right to govern, underlining his chosen title as the 'World Turner'.