Final answer:
There is no recorded opinion from Hiroshige on Kiko's portfolio, as they are different historical figures from disparate contexts. Hiroshige was known for his remarkable landscapes in Ukiyo-e prints, and Kano Eitoku was known for his collaborative work in the Kano School for samurai clientele.
Step-by-step explanation:
The question asks about Hiroshi's view on Kiko's portfolio. However, there is a mix-up in names and context in the provided information. The artists mentioned are Utagawa Hiroshige, who was a renowned Ukiyo-e artist known for his series such as the Fifty-three Stations of the Tokaido, and Kano Eitoku, who was part of the Kano School and known for creating glittering folding screens and sliding doors with gold-leaf backgrounds for the elite samurai clientele.
Hiroshige did not express opinions on Kiko's portfolio as they are not contemporaries nor is there a record of any interactions between them. Instead, Hiroshige focused on landscape scenes, demonstrating a mastery of composition by integrating human life and varying weather conditions into his work. Kano Eitoku's work involved collaborations within the Kano School to meet the demands of his prestigious patrons, Oda Nobunaga and Toyotomi Hideyoshi.