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A Diary from Michelangelo of how was his live when he was 13 years old of painting and sculpture at the Platonic Academy in Florence in 1492

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Final answer:

As a 13-year-old in 1492, Michelangelo was likely immersed in learning the craft of painting and sculpture in Florence but the specific details of his life at this age are surmised from his later works and historical context. His future masterpieces like the Pieta and David reflect the classical influences and organic style he cultivated as a young artist in the culturally rich environment of the Platonic Academy.

Step-by-step explanation:

At the age of 13, in 1492, Michelangelo was in his formative years, honing his craft in the artistic circles of Florence. Though the historical diary entries of Michelangelo at this specific age do not exist, we can infer from his lifetime achievements and available documentation how his life may have been immersed in sculpture and painting within the Platonic Academy in Florence. The Academy, founded by Cosimo de' Medici, was a hub for artistic and philosophical engagement, not to be confused with the Accademia dell'Arte del Disegno, which was established much later in 1563.

As a young apprentice, Michelangelo would have been learning the importance of classical beauty and idealism, ideologies that were later reflected in his works such as the Pieta and the iconic statue of David. This formative period was crucial in Michelangelo's development as an artist known for his organic style that breathed life into marble, as detailed in the descriptions of his works like the Pieta, which showcased his ability to combine intricate design with emotional grace. One of his earliest commissions included the life-sized David, a masterwork that rivals ancient Greek and Roman sculpture.

In his later years, Michelangelo became more devout and reflective on his spirituality, as evident in his poetry that often intertwined the appreciation of the human form with the divine. His influence remains monumental in the art world, marking him as one of the quintessential artists of the High Renaissance.

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