Question

A Comparative Study of Bharata's and Stanislavsky's Theory of Acting with Special Reference to the Concept of Bhava, Vibhava, and Anubhava, and Being, Feeling, and Doing." How do Bharata's and Stanislavsky's theories of acting differ in their understanding and application of emotions, especially concerning the concepts of Bhava, Vibhava, and Anubhava, and the interplay between being, feeling, and doing?

Answer 1

Bharata's theory of acting emphasizes the concepts of Bhava, Vibhava, and Anubhava, while Stanislavsky's method focuses on the interplay between being, feeling, and doing.

Step-by-step explanation:

Bharata's theory of acting, as represented in the Natyashastra, and Stanislavsky's theories differ in their understanding and application of emotions. In Bharata's theory, emotions are understood through the concepts of Bhava, Vibhava, and Anubhava. Bhava refers to the internal states or emotions experienced by the character, Vibhava refers to the external stimuli or causes of those emotions, and Anubhava refers to the visible or expressed emotions. On the other hand, Stanislavsky's theories focus on the interplay between being, feeling, and doing. Stanislavsky's method encourages actors to immerse themselves in the character's thoughts and emotions, using their own personal experiences and memories to create authentic connections to the character's circumstances.