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We see that the artists of miniature school of Mughal and Provincial period were skilled in making paintings, which depicted too many figures in one painting, complemented by the main figure, given due importance and stands out amidst the crowd around it.

- Identify any one relevant painting from Mughal or Provincial period from your course of study comprising the above characteristics.

User Bitmap
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An exemplary painting from the Mughal period that aligns with the described characteristics is found in "The Akbarnama," illustrating Emperor Akbar in a crowded court scene where he stands out prominently amidst the surrounding figures.

One notable example of a painting from the Mughal period that exemplifies the characteristics described is "The Akbarnama" or "The History of Akbar." Created during the reign of Emperor Akbar (1556–1605), this illustrated manuscript showcases the talent of Mughal artists in depicting numerous figures while emphasizing the central character.

In one particular scene, Akbar is portrayed engaged in a philosophical discussion with scholars. The composition skillfully integrates a multitude of figures surrounding Akbar, reflecting the vibrant and diverse court life during his rule. Despite the crowded scene, the artists use techniques such as hierarchical scaling, rich detailing, and vivid colors to ensure that Akbar stands out as the central and prominent figure. His attire, posture, and facial expression further emphasize his importance within the intricate narrative.

This painting from "The Akbarnama" not only highlights the artistic prowess of the Mughal miniature school but also serves as a historical document providing insights into the socio-cultural milieu of the Mughal court. It exemplifies the ability of Mughal artists to balance complexity and visual appeal, portraying a dynamic narrative where the central figure commands attention amidst a bustling crowd.

User Eugen Dubrovin
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